Mastrellari when arriving by bike to the park owned by the production in the hands of an assistant that Mastrellari assistant director and now I speak with says Peppuccio which is the name of the little man with red hair on chair with the name written above the Christian name given in the nickname Peppuccio you can say does not affect the praivasi Mastrellari and up the stairs to the second floor and tells Peppuccio
Peppuccio you have to tell you what it says Mastrellari
what I have to say Peppuccio says you have solved the problem though I hope not, but still
not feel right to me Raul apologizza the Mastrellari
what is the question that is directed downward Peppuccio
that wants to kill Matare here that the response of 'assistant director sympathetic Mastrellari
in that sense in the sense of death
not in the sense that he wants to kill with
knife to Mastrella but you stoned in that sense because he wants Matare there a specific reason vehemently asks the poor explanations director
lowmore than one actually says the first Mastrellari not to mention the naked so disgusting then it is also a bit 'annoying to see it even if it were not naked because it is annoying to the eye but you know at the end who cares if it fits you and then makes off off only if asked and does so with a smile that you I say it seems to me an idiot I repeat and repeat, from his annoyance at the sight, but if all goes well for you that you have chosen dots dots
and Raul asks hates red Peppuccio
Mortality is ready to say our Mastrellari
ok Fileccia please call the director says, and is called Fileccia which is the costume designer who comes Fileccia and watch the director and then just look a bit Fileccia says
you want
oh Fileccia File I feel there know what the gray dress as we would like to know if there are double dirty if it is a problem if we change it says Peppuccio Fileccia and nods his head tells you
Well we know painted gray that it is not a difficult thing to do Fileccia
Peppuccio then call the production manager named production manager and director says
production is one who is someone we know is someone who has
production manager tells him who is so good
Mastrellari go and think you said it to me please Fileccia painting blue Mastrellari that gray was ugly too says Peppuccio
is not as Gancia take the tempering blue cries Fileccia
File exclaims happy with the director continues
the young Gancia is a business that does what you tell them to do so is to take the tempering and Mastrellari still did not understand when the young Gancia began to spread with a brush full of blue clothes and Mastrellari is still somewhat 'forbidden but looks hopeful and it looks Fileccia Gancia two minutes then says
what the fuck you asshole bare skin not on clothes so you have to spread Gancia stops and waits for someone to say something but no one says nothing Mastrellari so sadly realized that nobody will say anything so they strip off and calls
even underpants
says Peppuccio
and Gancia ago and then by and by and by a brush and then turns blue Mastrellari the assistant director calls his assistant and then assistant director leading the bike and he is about to get on the Mastrellari but when the director says
no no the paint is fresh
Mastrellari so start walking up the hill and while walking through poor Mastrellari see the point of view of the sustained pick-up car for the celluloid Mastrellari green hill is very very blue and gray, and the man reaches Sergio Raul says Mastrellari
excuse Raul solved all your dagger please thanks and Raul him the knife and says Mastrellari
Sergio keep it
hold those who make Sergio
takes me question at this point the man grigionudo not recovered more gasps of air and forces
he says is the assistant director and says while it is zooming away and a nice back and see this man campolunghissimo blue tinted color of gray this man this man and this man Sergio colored colored Raul
and here we block the audible of the four men in many leagues away
the dwarf blue gray mannikin approaches taken dall'omino Sergio and stabs in the abdomen several times and then just what stops vibrating and sobs the little man takes the blue and the gray man rolls on the side of the hill, but you can not see They're not at the camera to take shots on durable celluloid which now shows us a man who sadly zompetta is blue and naked from head to foot but with a slight accent of blush on cheeks payable by jumping continuously and a man sitting on a limestone bench
if you say something I'll break your ass I swear the lady we heard the little man sitting in blue mannikin hours if only we could unlock the audible of the two men
the little man sitting not afraid to argue
but now silence
engine
ciak
and
action
through the window you want to physically
falls through the window with her eyes floating extrovert intradiegetico
you notice on the hill opposite the hill that seems to Uindos but it is the hill of a village Basilicata
of which mention only the name of boredom and forgetfulness would almost instantaneous if not a sense of anticipation
said redundancy can be seen on the hill a little green man
gray outside his will to live by zompetti on the turf by
' other window you see the same view and the hill itself and the same man Uindos
zompettante shouting something to a man with the silver glasses sitting on a little distant
limestone zompetta not for nothing that the man does not
limestone surface but in contrast to comments in a tone sounding annoyed
schernevole disgusted with the instrumental help of a physical book in hand memories leaping
man on your right
the reason is to see this other man schernevole
other window that is the point of view resides in a window in the wall of the second floor of the house more
far to the right which enables us to straddle the ridge and see the man who sits on the limestone
man with the book the man who says the word schernevole
zooming with our goal that came on our car to make nice shots
lasting up celluloid, we realize that the man who is naked from head to zompetta
footer but with a slight hint of blush on the cheeks to be credited not to the shame reluctance
reserve modesty but short fatigue stress caused by anxiety tribulation
jumping continuously and then shifting our focus to the right as the lens moves
right to want to see something else we should focus we see that the man
sitting on a limestone bench which speech thing at the man who
zompetta
here that unlock the audible of the two companions to many leagues away
such an idiot she says the man of the limestone
uff uff uff says the man who zompetta
I hate my sentimiento por esto es she says the man, not far
uff uff uff smile makes a man red-cheeked
that inutilitad
uff uff uff eheheh
cock ride
the man sitting at this point leaves her sitting gets pulled from the pocket of his jacket
a long knife that can be defined as dagger approaches raises his arm to
zompettante
still firm says the director just let it be stopped by a pop
continues
the little red-haired man is sitting on a chair with his name written on it that we will not say for praivasi on the roundabout that is part of the Venetian
parapappà parapappà parapappà parapappà papparaparapà parapappà parapappà parapappà parapappà papparaparapà parapappà parapappà parapappà parapappà papparaparapà parapappà parapappà parapappà parapappà papparaparapà etcetera
the little red-haired man to whom she had not understood is that the director is there and directs the cast and also the two men in the distance and says to 'assistant director
please excuse is that you can not go and see what happens the reasons for the disagreement in the distance from the
go to the assistant director called Mastrellari bestrides his bike for some time since we are in millenovecentocinquantotto Mastrellari bestrides a bike of one thousand nine hundred and go ride ride to the ridge where both men were placed there still and quiet but the man sitting is now standing still retains the rancor and close the boom is also named Sergio, who was lying behind the ridge that's why you could not see a stage effect Sergio says
oh thank goodness you came Mastrellari you think you have mistaken me for these two well to and I do not know if it's good I think no
much is not good for directed by Sergio says Mastrellari quiet you two is going on?
is hateful is the man who is now sitting up with a dagger I want it stripped matar
no no no please matamenti eh up already by now you peace is the measure of Mastrellari
off off but only two are in fact less impetuous dept and not three because it is soothing says guess who then smiles like a fool
no puede labor with a thus saith the man with the expression of death and even painted his face in his hand
uff always says the same almost completely subsided
seen the future murderer says
actually says Mastrellari
actually says Sergio with microphone in hand From a distance it seems the mighty god Thor with his hammer in his hand but up close you see that Sergio is for those who are familiar with microphone in hand
Mastrellari says wait here and go back to confabulation
do you say we get paid so much Sergio day to
Mastrellari nosedive with his bike and if your machine to take shots on celluloid sustained themselves in this time taking on celluloid and impressing all would be very nice but Mastrellari obviously not give a shit to anyone so no one calls the engine and gracefully descends Mastrellari undocumented
continues
